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Book Review: Life In Hull From Then Till Now by Kay Pearson: A Fascinating Look Back on a Hull Women’s Life.

August 13, 2018

Kay Pearson loved music throughout her life, playing piano in music halls, theatre, dance halls and people’s homes.

Kay Pearson at the piano.
Kay Pearson at the piano.

Her book was published in 1978 after a feature about her life in the Hull Daily Mail. She was asked to finish the book, people as tickled by her story as the ivories Kay played from childhood.

A copy of Life In Hull From Then Till Now is a lucky find – the book is long out of print. Running your fingers over a blue leather cover the dips of a gold picture and white lettering are as precious as her memories.

Opening the book the face of Kay Pearson looks back seated at a piano surrounded by friends.

70 years of Hull’s history 

Kay’s story spans over 70 years of history from the turn of the 19th Century until the 1970s a time of enormous social change for women in Hull and the UK.

It reads like someone sitting down at an old-fashioned typewriter talking out loud from start to finish.

Her story is told without artifice, flourish or it seems that much editing and it’s good for it. For instance at the outbreak of the Boer War in 1899 the typeface changes as if the moment was a rift in time that could never be breached.

A story of women’s lives 

Page 80 of the book. At the outbreak of the Boer War, the typeface mysteriously changes.
Page 80 of the book. At the outbreak of the Boer War, the typeface mysteriously changes.

Her life story is extraordinary but it’s the details of her life as a women that makes this book so fascinating.

It holds brutal accounts of female life; cleaning The Article, evidently an essential part of post-birth kit in the early part of the 20th century turned her 14 year old stomach and ours as reader as well.

Her story has many ups, downs, dips and turns charting the social history of women and changes the 20th century brought to her life.

Fashion history and dressmaking 

Her stories about clothing make for fascinating reading.

By the time she receives a widow’s pension in the 1950s she notes that a condition is: ‘I must dress decently.’

Kay describes shopping, clothes, fabric and fashion in a way that reminds us that modern fashion is associated with consumerism, extravagance and luxury. In comparison with ‘then,’ the ‘now’ is easy, true poverty part of Kay’s life.

19th Century ‘Make Do and Mend’

At the turn of the century her mother made a hearthrug from old bits of coats and trousers. Sometimes she’d ‘buy a soldiers old red uniform from the ragman that she’d cut into 2 inch strips and it made a splendid splash of colour on the ‘clipped mat’ as it was called.’

An opportunist she earned pennies on Sunday afternoons in the early 1900s running errands because: ‘men and woman enjoyed parading the whole length of Queen Street down to the pier and dress was not complete without a rose, gardenia or carnation to wear.’

Luckily her sisters were good needlewomen and helped her mother make a ‘new dress …in a delicate pink or grey,’ so that she could wear it with rag dolled hair for a childhood performance. In 1978 she was still using this dress as a costume it survived so well.

Weddings during the Hull Blitz 

These days we’d think of hand sewing as a rare skill but Kay wasn’t a skilled seamstress, despite this she made outfits for her two daughters’ wedding days in 1941 and 1942. It took her 16 weeks to prepare for the 1941 wedding:

‘There was materials to decide upon and purchase for the bride and bridesmaids. My daughter’s choice of wedding ensemble was plain, but choice, taking me exactly 10 weeks to complete.’

The back of the book shows a receipt from a performance at Hull's Tivoli Theatre on 13th April 1937 and a letterhead for her troupe, the Pearson Juveniles, used throughout the 1930s
The back of the book shows a receipt from a performance at Hull’s Tivoli Theatre on 13th April 1937 and a letterhead for her troupe, the Pearson Juveniles used throughout the 1930s

She describes the horrors of the Hull Blitz:

‘I dread to think how many occasions I had to dismantle the gown from the hangers and store in numerous travel cases for safety, as air raids occurred.’

In 1942 her second daughter got married quickly, as was the trend. Kay again made a wedding outfit from scratch after she and her daughter decided on: ‘materials, styles and colours.’

By 1949, towards the end of rationing she looked back and recorded her thoughts:

‘All gowns, including my own, were complete for the great day, were really something, so much that I marvelled at my capabilities of dressmaking and a four tiered wedding cake into the bargain!’

We are left with this description to imagine the clothes she made.

Sewing for herself 

What of her own wardrobe?

‘From the time I reached 15 years, I had saved up enough money to purchase mustard serge to have a costume made. I purchased this from a shop called Sultans in Great Passage Street, the cost 3 shillings and 6d. **

‘A girl, apprentice to the trade, who did odd jobs of work on the side, made up the material at a charge of 5- and very nicely too – I felt a proper “swank” in it.’

And her own wedding in 1915?

Evening dress, ca. 1900-05. Made of Ninon fabric (sheer, delicate material, probably silk in this dress.) This dress is far out of Kay's reach, made instead for the affluent upper classes.
Evening dress, ca. 1900-05. Made of Ninon fabric (sheer, delicate material, probably silk in this dress.) This dress is far out of Kay’s reach, made instead for the affluent upper classes.

‘Finances in our household were down to zero.. to obtain a bridal gown was out of the question, however, material was purchased at a store Willis and Co, on the corner of Waterhouse and Carr Lane.

‘Five yards of pale blue Ninon at a sale, price 9 3/4 per yard. It cost 4 – 8 1/2 d.’ ***

‘My eldest sister concocted a dress and jacket for me and the left over pieces were made into two small head bonnets for the bridesmaids who were arrayed in white.

‘My ensemble was made up of a straw hat trimmed with forget-me-nots, and a pair of my younger sisters shoes, I carried a bunch of flowers.’

A snapshot of time, throughout the book, illustrations and photos of Old Hull are interspersed with Kay’s story. She doesn’t include family occasions, instead choosing to show pictures often faded and hard to make out on the page.

They are interspersed with snippets of programmes she took part in or produced and photos performing in her later years.

Her daughter Betty is on the final page. Standing in her back garden she is dancing for her mother as the camera clicked. Holding the skirt of her dancing outfit it also has signs of being hand-made.

Oral History – telling it in her own words 

Life In Hull From Then Till Now is a fascinating read for anyone interested in Hull’s social history through oral history telling. That’s a phrase that means collecting and studying history through recording people talking about the past.

Kay started to write aged 81 and that’s exactly what oral history is all about – talking and writing it down. It’s part of the way the story of the House of Mirelle is told as well.

Kay summed it up perfectly:

‘People always feature in any walk of life, sometimes fictitious, however every word you are about to read is fact and has needed no research.’

She was absolutely right.

Kay Pearson was a musician, mother and without knowing it an Oral Historian of Hull.

© HouseofMirelle.uk 2018

** ‘Costume’ in this context describes a skirt suit.

*** ‘Ninon’ is an artificial fabric similar to Rayon.

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